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The result is that of a modern-working day Bosch painting — a hellish vision of the city collapsing in on itself. “Jungle Fever” is its individual concussive power, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
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It’s easy for being cynical about the meaning (or absence thereof) of life when your task involves chronicling — on an annual basis, no less — if a large rodent sees his shadow at a splashy event placed on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is determined by grim chance) and execution (sounds lousy enough for someday, but what said working day was the only day of your life?
, John Madden’s “Shakespeare in Love” can be a lightning-in-a-bottle romantic comedy sparked by among the most self-confident Hollywood screenplays of its decade, and galvanized by an ensemble cast full of people at the height of their powers. It’s also, famously, the movie that beat “Saving Private Ryan” for Best Picture and cemented Harvey Weinstein’s reputation as among the most underhanded power mongers the film business had ever seen — two lasting strikes against an ultra-bewitching Elizabethan charmer so slick that it still kind of feels like the work of the devil.
There are profound thoughts and concepts handed out, but it surely's never composed on the nose--it's delicate enough to avoid that trap. Some scenes are just exceptional. Like the a person in school when Yoo Han is trying to convince Yeon Woo by talking about colour principle and showing him the colour chart.
In the many years because, his films have never shied away from hard subject matters, as they tackle everything from childhood abandonment in “Abouna” and genital mutilation in “Lingui, The Sacred Bonds,” for the cruel bureaucracy facing asylum seekers in “A Season In France.” While the dejected character he portrays in “Bye Bye Africa” ultimately leaves his camera behind, it really is to cinema’s great fortune that the real Haroun didn't do the same. —LL
The ingloriousness of war, and the root of pain that would be passed down the generations like a cursed heirloom, could be seen even from the most unadorned of images. Devoid of even the tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity inside of a long career that has alway looked at us askance. —LL
The movie’s remarkable power to use intimate stories to explore an enormous socioeconomic subject and popular culture as being a whole was A serious factor inside the evolution with the non-fiction type. That’s all the more remarkable given that it had been James’ feature-duration debut. Aided by Peter Gilbert’s perceptive cinematography and Ben Sidran’s immersive score, the director seems to capture every angle from the lives of Arther Agee and William Gates as they aspire to porndish the careers of NBA greats while dealing with the realities on the educational system cheating porn and The work market, both of which underserve their needs. The result is really an essential portrait of the American dream from the inside out. —EK
A person night, the good Dr. Bill Harford may be the same toothy and self-assured Tom Cruise who’d become the face of Hollywood itself within the ’90s. The next, he’s fighting back flop sweat as he gets lost from the liminal spaces that he used to stride latina porn right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers plus the sinister ultra-rich they serve (masters of your universe who’ve fetishized their role in our plutocracy to your point where they can’t even throw a straightforward orgy without turning it into a semi-ridiculous “Sleep No More,” or get themselves off without putting the concern of God into an uninvited guest).
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Making use of his charming curmudgeon persona in arguably the best performance of his career, Bill Murray stars because the kind of person not a soul is fairly cheering for: clever aleck Television set weatherman Phil Connors, that has never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark components of what happens to Phil when he alights to Punxsutawney, PA to cover its annual Groundhog Working day event — for your briefest of refreshers: that he gets caught inside of a time loop, seemingly doomed to only ever live this Bizarre holiday in this awkward town forever — Ramis was intent on tapping into the inherent comedy of your premise. What a good gamble.
was praised by critics and received Oscar nominations for its leading ladies Cate Blanchett and Rooney Mara, so it’s not exactly underappreciated. Still, for many of the plaudits, this lush, lovely period of time lesbian romance doesn’t receive the credit rating it deserves for presenting such a dead-precise depiction with the power balance within a queer relationship between two women at wildly different stages in life, a theme revisited by Kate Winslet and Saoirse Ronan in 2020’s Ammonite.
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From that rich premise, “Walking and Talking” churns into a characteristically small-essential but razor-sharp drama about the complexity of women’s internal lives, as the writer-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable screen chemistry) that her attention can’t help but cascade down onto her male characters as well.